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Dr Jaye Early

Dr Jaye Early

Lecturer
  • 2015-18 PhD - Victorian College of the Arts, The University of MelbourneÌý
  • 2007-09 MA Studio Art - Sydney College of the Arts, The University of Sydney
  • 2005-7 MA Art Admin - UNSW Art & Design, The University of New South Wales
  • 1998-2000 BA Art Hist/Theory - UNSW Art & Design, The University of New South Wales
Arts, Design & Architecture (ADA)
School of Art & Design

I am Darug man form the BoorooberongalÌýclan, an artist, and lecturer in the School of Art & Design at the University of New South Wales.ÌýWorking across a number of mediums including live and video-based performance and painting, my work is primarily autobiographical. An intention of my work is to consciously transform my personal dislocations into a visual strategy of self-disclosure. I become my own subject, often using my body as a site for art-making. I am stimulated by exploring the reality in and between what is often not permissible in public spaces and spheres. With a focused interest in the authenticity of suppressed emotions, I am wanting to navigate and respond to the consequences of placing the personal into the public. My practice-based research is informed by Foucaildian philosophical notions of the self, self-design, contemporary confessional discourse, private and private space and spheres, subjectivity, and settler-colonial theory.Ìý
Mobile
0481280832
E-mail
jaye.early@unsw.edu.au
Location
School of Art & Design UNSW AUSTRALIA Paddington Campus Cnr Oxford St & Greens Rd, Paddington, NSW 2021
  • Journal articles | 2022
    Early J, 2022, 'Contemporary Confessional Forms and Confessional Art', Third Text, 36, pp. 369 - 382,
    Journal articles | 2019
    Juliff T; Early J, 2019, 'The self-design of contemporary confessional art', Journal of Visual Art Practice, 18, pp. 342 - 358,
    Journal articles | 2010
    Early J, 2010, 'Risks Wirth Taking: Primavera 2010', Art Monthly Australia
    Journal articles | 2005
    Early J, 2005, 'Bill Henson: Retrospective at the AGNSW', Art Papers
    Journal articles | 2005
    Early J, 2005, 'Mona Hatoum: Over My Dead Body Art Papers Jaye Early 2005', ArtPapers
  • Conference Presentations | 2023
    Early J, 2023, 'Re-visioning Time Space(s) Time and Bodies', presented at Re-visioning Time Space(s) Time and Bodies, Sydney, 09 April 2023 - 11 April 2023,
    Conference Presentations | 2018
    Early J, 2018, 'Rethinking and researching 20th century Aboriginal Exemption in Australia.', presented at Aboriginal Exemption in Australia., Sheparton, Victoria, Australia, 15 October 2018 - 18 October 2018
    Creative Works (non-textual) | 2018
    Early J, 2018, Death defines the conditions of living. All advice is autobiographical., Death defines the conditions of living. All advice is autobiographical, KINGS gallery 69 Capel Street, West Melbourne VIC 3003, 06 July 2018 - 20 July 2018
    Creative Works (non-textual) | 2018
    Early J, 2018, I always think that art is everywhere., I always think that art is everywhere., 20 July 2018 - 27 July 2018
    Creative Works (non-textual) | 2018
    Early J, 2018, Life is pain (less) and full of splendor, Life is pain (less) and full of splendor., Rubicon ARI, Melbourne, Australia, 20 April 2018 - 20 July 2018
    Creative Works (non-textual) | 2018
    Early J, 2018, The history of me on my breath, The history of me on my breath, Alcaston Gallery, Melbourne, 20 July 2018 - 20 July 2018
    Creative Works (non-textual) | 2018
    Early J, 2018, Your judgment dictates my gaze., Your judgment dictates my gaze., Sydney Contemporary, 07 September 2018 - 20 September 2018
    Creative Works (non-textual) | 2017
    Early J, 2017, One day you will die. I’m counting on myself, One day you will die. I’m counting on myself, 28 July 2017 - 28 July 2017
    Creative Works (non-textual) | 2016
    Early J, 2016, All of a sudden I felt very powerful and strong then suddenly I didn't., All of a sudden I felt very powerful and strong then suddenly I didn't., 16 September 2016 - 23 September 2016
    Creative Works (non-textual) | 2013
    Early J, 2013, Cowardly Custard, Cowardly Custard, 20 September 2013 - 20 September 2013
    Creative Works (non-textual) | 2012
    Early J, 2012, I better read between the lines in case I’m needed when I’m older, I better read between the lines in case I’m needed when I’m older, 20 January 2012 - 20 January 2012

2024 – School of Art & Design Research Output Scheme.

2023 – School of Art & Design Research Output Scheme.

2015 – The Fay Merles Scholarship for IndigenousÌý Graduate Research,ÌýThe University of Melbourne.

Ìý2016 – The Scovell Gardener Family Fund for Indigenous Graduate Students, The University of Melbourne.Ìý

I have been a finalist in a number art awards, including, The Doug Moran National Portrait Prize (2013/21), The Archibald Prize (2021), The Lester Art Prize (2021), The Lethbridge Small Scale Art Award (2020), The Linden Art Prize (2019), The Sir John Sulman Prize (2018), The Redland Art Award (2016/18, Hornsby Art Prize ( 2016), Derebin Art Prize (2017), Korrie Art Prize (2016), Bayside Acquisitive Art Prize (2016), Victorian Indigenous Art Awards (2013).Ìý

I am currently writing a monograph titled, Contemporary Confessional Video Art: Private Experiences in Public Spaces, to be published by Bloomsbury in January 2025.ÌýÌý

My Research Supervision

James Taylor - PhD (UniSA), Warra Yartangka ( language of the Land): Decolonising Northern Kaurna Place-names through Art).Ìý

Billy Bain -Ìý MFA (UNSW Art & Design)ÌýHow do contemporary First Nations artists use critical artistic strategies to disrupt colonial hierarchies of power in relation to the beach as a culturally significant site in Australian national identity and popular culture.Ìý

Past

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Kaitlyn Davison, BA Art and Design (Hons),ÌýEmbodying the Abject: An Exploration of Subjective Body Horror as Autoethical Contemporary Art Practice,ÌýThe UniversityÌý of South AustraliaÌý

Frances Cohen, BA Art and Design (Hons),Clever Title I'll Think of Later: A Videographic Exploration into the miscellany of content on Instagram and how it alters interaction with art on the Platform,ÌýThe UniversityÌý of South AustraliaÌý

Amber Cronin, BA Art and Design (Hons),ÌýSculpture as Ecological ListeningÌý(Joint with Dr Michelle Nikou),ÌýThe UniversityÌý of South AustraliaÌý

Sarah Porter, BA Art and Design (Hons),ÌýChanges: From Military to Civilian through Ceramics, The UniversityÌý of South AustraliaÌý

Isaac Kairouz, Hons,ÌýNaughty boy gets what's comin', Victorian College of the Arts, The University of MelbourneÌý

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My Teaching

ÌýDART 2310 - Aboriginal and Torres Strait Islander Art