Dr Andrew Yip
PhD, Art History (USYD), BA, Hons I, Art History and Theory (USYD)
I research applications for immersive visualisation and experimental digital technologies to the preservation and interpretation of important cultural heritage sites, collections and museums. I'm interested in how we can use new media platforms to create new, embodied sensory experiences that allow us to understand heritage in innovative ways. I'm also interested in the mechanics of immersive design.
My background is in art history and museums, and I work closely with the GLAM sector on digital conservation, exhibition design and interaction design projects.ÌýMy 2018 exhibitionÌýHenry VR at the AGNSW was the Gallery’s first virtual reality and conservation science exhibition, which used VRÌýtechnologies to not only communicate complicated scientific data to large audiences, but to enable conservators toÌýanalyse and interpret cultural material in new ways.ÌýSimilarly, my 2017Ìýexhibition Sidney Nolan’s Ned Kelly Unmasked: Virtual Reality allowed Heide Museum of Modern Art toÌýcommunicate the social history of the Heide site and the significance of Nolan’s practice to Australian identity andÌýmythology through the experimental installation.
At UNSW my research practice is based at the iCinema Centre for Interactive Cinema Research, one of the world's leading 3D visualisation laboratories and a focal point for UNSW Art & Design's research strengths in immersive visualisation. At iCinemaÌýI am the resident 3D artist, overseeing visual and interactive content for immersive applications.ÌýI am also director of the Ultra High Resolution Scanning Lab, which is part of the cross-facultyÌýDesign Next initiative.Ìý
- Publications
- Grants
- Awards
- Research Activities
- Engagement
- Teaching and Supervision
- Media
2019 $66,000 Investigator, Australian Synchrotron Beamline, ANTSO, AS191/XFM/1440,ÌýRecovering a lost masterpiece by the Italian mannerist painted Agnolo Bronzino
2019 $40,000 Chief Investigator, South Australian Maritime Museum,ÌýWindjammers Immersive
2018Ìý$10,000 Chief Investigator, UNSW Art & Design Faculty Research GrantÌý
2016 $15,000 Chief Investigator, Art Gallery Society of New South Wales Publication Grant
2016Ìý$15,000 Chief Investigator, Power Publications Publication GrantÌý
2016 $6,000 Investigator, Australian Institute for Art History Publication Support Grant
2015 $200,000 Chief Investigator, UNSW Strategic Education Investment Fund Major Grant
2005 $50,000 Australian Government Endeavour Award
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2018 Museums and Galleries Australia National Award, forÌý, 2017, exhibited at Heide Museum of Modern Art.
2017 Art Association of Australia and New Zealand Book Prize, forÌý(co edited with Jaynie Anderson and Christopher R. Marshall), Sydney: Power Publications, 2016.
2006 Australian Government Endeavour Award.
2006ÌýVisiting Researcher, Bosphorus University, Istanbul.Ìý
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My current areas of research and ongoing projects include:
- Immersive, embodied aesthetics for theatre design and prototyping
- Historical artefact reconstruction and simulation using advanced 3D imaging and manufacturing
- Experimental visualisation for archaeology and cultural heritage sites
- Hypermapping records of WWI using embodied, algorithmic aesthetics
- Experimental, interactive museum installation design