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The installation takes the form of an octagonal room. Each of the four walls in this octagon operate as an independent screen and acoustic system.ÌýPentimentoÌýworks in a manner similar to an interactive jigsaw puzzle, somewhat in the tradition of the computer puzzle Tetris. There are a number of narrative layers and points of view within the layers. To begin with, in the first narrative layer there are two versions of both the brother and the sister, twins in a sense, a guilty brother and an innocent brother, a guilty sister and an innocent sister. In the second narrative layer there is a guilty father and an innocent father along with the Room itself, which has its own perverse view of the proceedings. All the points of view are equally credible.

The installation walls operate either independently or in synchrony, depending on the viewers’ movements. If viewers restrict their movements to a series of stationery points within the room they are able to activate the first layer of narrative, for example either the innocent brother’s or innocent sister’s point of view. If viewers maintain a constant movement through the space they are able to activate, in addition to the first narrative layer, a second layer of viewpoints, namely the father’s and that of the room. Narrative inÌýPentimentoÌýbecomes a complex interplay of these contending points of view and forms of interaction, a voyage in search of a point of stillness in a sea of perplexing and fluctuating possibilities.